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She attends a company party and drinks with part-time employee Yuto Tanokura (Sota Fukushi ). Through the evening, Hanae becomes drunk and passes out.
When she wakes up, Hanae finds Yuto Tanokura sleeping next to her and he is naked.
“He was both kind and hopeless,” Sachi reflects about their father, who had a habit of overlending money to the point of getting into debt himself, and falling in love with single women out of sympathy.
Not only do they meet Suzu for the first time, but also her self-absorbed stepmother, his third wife, whose ability to look after this grieving teenager is tangibly dubious from everything she says and does.
She becomes confused about what happened and takes the day off from work for the first time.
To come out of her shell, Hanae decides to date Yuto Tanokura who is 9 years younger than her.
See full summary » A woman decides to stay in a quaint hotel in Kyoto's historic quarter, but soon finds herself in the middle of 16th Century Japan, playing a major role in one of the country's most important historical events.
A store owner and a magazine editor were hired as a temporary employee by The Louvre for a Mona Lisa exhibition to be held in Japan.
f you could trust any director to tell a two-hour family story with a bare minimum of dramatic conflict and still make it sing, it’s Hirokazu Kore-eda, Japan’s modern master of domestic observation, who has invested his new film with a tantalisingly Chekhov-like sensibility.